| Introduction: The Pinoy Writer and the Asia-Pacific Century |
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Emmanuel Torres |
285–294 |
| The Art of Understatement |
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Cristina Pantoja-Hidalgo |
342–353 |
| Gunshot (Excerpt from “Sun on Ice,” a novel in progress) |
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Luis Cabalquinto |
379–382 |
| An Embarrassment of Riches (Excerpt from a novel in progress) |
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Charlson Ong |
383–418 |
| Magkano Ba ang Asawa Mo? Paunang Salita sa Dulang “Bingo” Bingo! |
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Ricardo L. Saludo |
419–452 |
| Going to America/ An Imaginary Letter to My Twin Sons |
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Gémino H. Abad |
455–459 |
| Burol sa San Roque/ Si Taft sa Kalabaw/ Tubig-Alat sa Ating mga Mata/ Saltwater in Our Eyes/ Litel Mis Pilipings |
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Jim Pascual Agustin |
460–464 |
| Letter for All Souls’ Day/ San Francisco Blues/ Cargoes/ At the East Indies Organics Store/ Providence |
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Maria Luisa A. Cariño |
468–476 |
| Heron-Woman/ Ichigo Ichie/ The Gift/ Origami/ Sagada Stills in Floating World/ Cancer Ward/ Tension Luminosa/ Biometrics |
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Marjorie M. Evasco |
477–482 |
| Magdamag sa Wayang/ Sa Yogya alas Kuwatro ng Umaga/ Para sa Dayuhan sa Bangkok: Paano Kausapin ang Puta |
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José Mario C. Francisco, S.J. |
483–484 |
| From the Pedicab a Sea/ The Leavetaking/ At the Coming World/ Paper Boat |
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Eugene Gloria |
487–490 |
| Almusal/ Kay Edjop/ Paghahanda: “Exposure Trip” sa Smokey Mountain/ Leftover/ Afternoon Wind |
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Neal Imperial |
491–494 |
| Short Time/ Enjambment/ November the Second/ The Death of a Revolutionary Friend |
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Jaime An Lim |
495–498 |
| Alphabet Soup/ Amok/ Raising the Dead/The Beginning of Things |
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Fatima Lim-Wilson |
499–502 |
| Coming Home/Woman of Many Voices/ Kay Gabriela Silang/Pulotgata |
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Danton Remoto |
503–505 |
| Milkstone/ Mountain Afternoon |
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DM. Reyes |
506–508 |
| Ang Magsasampagita/ Larawan sa Alapaap/ Kay Tu Fu na Makauunawa sa Hindi ko Babanggitin sa mga Taludtod na Ito |
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Benilda Santos |
509–511 |
| Pahiwatig ng Ulan/ A Hint of Rain/ 2 Baryasyon sa Tema ng Paglaho/ Eclipse/ Lovingly yours/ Pulot at Kakanggata/ Orasyon 3 (siyamsiyam sa pitupito)/ Gulong ng Palad/ Misteryo sa Hapis/ Sey!/ Tala ng May-akda: Balik-Sariling Wika.... |
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R. L. Santos |
512—530 |
| Man Opens Woman’s Diary in Her Absence/ Red Lips: A Villanelle on Wife-Beating/ The Garden of Earthly Delights/ Suminagashi (The Japanese Art of Paper Marbling)/ The Sadness of the Sea |
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Ramon C. Sunico |
531–536 |
| Oyster Country/ The Wedding of Crisostomo Ibarra |
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Constantino Tejero |
537–538 |
| Pictures of the Floating World/ Liham Mula sa Pasong Tirad |
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|
Ruel S. De Vera |
538–540 |
